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Surplus and Dearth

by Dave Warner

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1.
KISS AND TELL Riviera Sarah got a camera in her underwear Designed by a Spook out a Langley and it’s fun to wear Fritz from Stern said pix would be wunderbar The patsy is a diplomat from somewhere outa Ecuador What the hell? It’s kiss and tell On the beat they talk of legendary Mimi Made it with a Royal on Betacam SP The Sun gave her heaps and it went to TV Now Mimi owns a Porsche and a mews in Chelsea She did well out of kiss and tell. There’s no secret you can’t sell Kiss and Tell There’s no secret you can’t buy Kiss and Cry People in the public eye gotta watch the gratitude the platitudes There’s an attitude to sexploits don’t allow no latitude You gotta be a nun or a monk or a eunuch Remember that girl you lunched in Munich? She’ll do well out of kiss and tell. There’s no secret you can’t sell Kiss and Tell There’s no secret you can’t buy Kiss and Cry Keep a dat in your iguana And a mike in a banana And a pencil in the sleeve of your pyjamas It could mean cash or a stay in the Bahamas For what you sell in Kiss and Tell There’s no secret you can’t sell Kiss and Tell There’s no secret you can’t buy Kiss and Cry Kiss
2.
ANOTHER NIGHT IN THE LUCKY COUNTRY (Macainsh-Warner) Friday 4 PM one of those brasseries where the waiters all have pony-tails and the chefs have an obsession with pine nuts and pesto sauce and there’s a table load of women or “girls” as they prefer to call themselves been there since midday and now their tablecloth looks like it’s had a traffic accident happen on it, one terrified bottle of wine has pissed itself and dived head-first into the ice bucket and it’s no Porphery Pearl for this generation of Australian women nothing less than a Richmond grove Chablis as they gaze at the coagulated traffic into the afternoon which has dissolved into the colour of yellow which also happens be to the colour of decay and the colour of the chunky gold jewellery which they flash at one another, each link on their bracelet symbolising a husband’s infidelity and as they talk about pergolas and tube operations each one prays for something different to happen this weekend and at the same time each one is terrified that it might Just another Friday night in the lucky country Just another Friday night in the lucky country Just another weekend start it’s a script we know by heart Just another Friday night in the lucky country Riff x 2 In King’s Cross the rattle of the tattoo gun punctuates the traffic, Madame Myrna pulls her shawl gazes into her crystal ball and tells the young woman opposite that into her life will shortly come a mysterious dark haired stranger, the young woman floats down to Kings Cross Railway Station where Myrna is proved extremely perspicacious for the young woman is mugged by a mysterious dark haired stranger, grabbing the girl’s handbag he dashes through the traffic almost coming to grief on the prostrate body of a 68 year old stockbroker who lost all his money in 1987 crash and who is clothed only in a greatcoat with crystallised snot hanging from it like war medallions and his mattress is compressed cardboard packing crates with Sanyo Vacuum Cleaner stamped across the side and the whole of the Cross looks like TAB carpet on Melbourne Cup night and that’s when you know you must be hallucinating because nobody in the Cross possesses a vacuum cleaner and it’s not a good ad for Sanyo but what it is is Just another Friday night in the lucky country Just another Friday night in the lucky country Just another weekend start it’s a script we know by heart Just another Friday night in the lucky country Riff x 2 5.26 pm and the boys at Mike’s Perth Body Smash Repairs are already well into their second celebratory end of week carton. Only the young apprentice Clayton is missing, still in the workshop tinkering at the suspension of his own Mazda 626. One of the guys has brought along a library of porno videos and as the cheers and whistles reach their zenith no one hears the pleas from Clayton trapped under the suddenly collapsed 626. As the life is crushed from him the last thing he hears is a distant yelp for “big bazookas”. A couple of blocks away and after six years together Cheryl and Todd have finally decided to call it quits. Todd must admit he got his nuts tightened when Cheryl confronted him about his affair with Gail from Records. And as they rage at one another over who is entitled to the Beatles Boxed Album Set they are momentarily distracted by a screaming ambulance siren beneath their window but it’s only for a moment Just another Friday night in the lucky country Just another Friday night in the lucky country Just another weekend start it’s a script we know by heart Just another Friday night in the lucky country Solo 8 bars So I wonder what will become of these words spewed out into the atmosphere like so much excess sperm will they daisy chain and dance and intermingle with the sounds of Milli Vanilli, will they revisit the planet at some future time on a distant radio beam or will they just fade in the ever increasing expanse of Friday nights in the lucky country. Just another Friday night in the lucky country Just another Friday night in the lucky country Just another weekend start it’s a script we know by heart Just another Friday night in the lucky country Just another Friday night in the lucky country Just another Friday night in the lucky country Just another weekend start it’s a script we know by heart Just another Friday night in the lucky country Just another Friday night in the lucky country Just another Friday night in the lucky country Just another weekend start it’s a script we know by heart Just another Friday night in the lucky … Lucky country.
3.
I’ve got this big bad sexual drive It might be wrong but I feel alive And it’s a big bad sexual drive Now I don’t know if it’s politically right But I have these thoughts in the middle of the night Naked girls some are black And that’s a big bad actual fact I got this big bad sexual drive Lead break 8 bars My oh my what ecstasy Melt the walls and come with me Floating where there is no pain All my demons have been slain Well I had a visit from the thought police And they showed me what was wrong with this Now I no longer feel alive I got this nice clean asexual drive I had this big bad sexual drive Made me glad just being alive And now I’d feel I’d rather die If I can’t have my big bad sexual drive I got this big bad sexual drive I got this … (Big Bad) … sexual drive
4.
I met him in a depot in Tijuana (Who? – Jack) He had a turtle neck sweater and a gram of humour We talked of life over cappuccino He said `Life’s like a night with Ida Lupino’ Kerouac’s back but he’s incognito Kerouac’s back wow hot burrito Kerouac’s back in a big black Studey Jack Kerouac’s back x 2 We danced all night at the sugar shack I wore fishnets Jack wore black Castro Castrol castrate check In Cuban heels with a cubist cat Kerouac’s back but he’s incognito Kerouac’s back wow hot burrito Kerouac’s back in a big black Studey Jack Kerouac’s back x2 Jack Kerouac’s I’m the beat in the Beat Generation I’m the original rolling stone I’m the voice from the subterrane Unlock the loft I’m coming home Bongo drums in a Greenwich bar Goatee beard and a folk guitar Ginsberg concrete poetry The Kennedy dynasty started out with me And Jack Kerouac’s back x2 Beatnik babies in a b-baby boom Ban the bomb, lower the boom Let the loose limbed limo take the load Kerouac’s back and he’s on the road Kerouac’s back but he’s incognito Kerouac’s back wow hot burrito Kerouac’s back in a big black Studey Jack Kerouac’s back x 3
5.
Assassin 03:55
It follows and it haunts you The thought the creeps and taunts You dunno where to hide All you know is that you ache inside The days seem awful long The nights go on and on The bat is always broken The leaking fridge is always open When you love your own assassin Late at night you wake up sweating It’s a very lethal passion When you love your own assassin You try to run but your heart calls out You try to cling to any shadow of a doubt You won’t admit you’re beaten You try to mess with reason You think you’ll dodge the bullet You think you’ll spot the poison pellet And if it’s gas you think you’ll smell it When you love your own assassin Late at night you wake up sweating It’s a very lethal passion When you love your own assassin You try to run but your heart calls out You try to cling to any shadow of a doubt Break 8 bars You try to run but your heart calls out You try to cling to any shadow of a doubt When you love your own assassin Late at night you wake up sweating It’s a very lethal passion When you love your own assassin When you love your own assassin Late at night you wake up sweating It’s a very lethal passion When you love your own assassin When you love your own assassin Late at night you wake up sweating It’s a very lethal passion When you love your own assassin
6.
Baby you got me going Baby you got me going good I should have known I should have known I should have gone and knocked on wood But late at night when the moon is bright There’s no time to doubt And later on when it’s all been done It might seem wrong but it still was fun Baby you really had me going Baby you know I was your dupe You had me waiting by the phone You had me jumping through the hoop Guess I must have looked a clown but I don’t bear no grudge I got burned and I got learned But I’d repeat it all if you just gave the call I’d be your fool babe and I’d be your knave and I’d be your footstool and I’d be your slave I’d be anything you want any time you gave the word You took my soul in the trick moonlight I never did so wrong but felt so right Baby you got me going Baby you got me going good I should have known I should have known I should have gone and knocked on wood But late at night when the moon is bright There’s no time to doubt And later on when it’s all been done It might seem wrong but it still was fun I’ll be your fool babe and I’ll be your knave and I’ll be your footstool and I’ll be your slave Riff I’ll be your fool babe and I’ll be your knave and I’ll be your footstool and I’ll be your slave
7.
Put On Earth 03:58
We’re put on earth to get pissed We’re put on earth to pray We’re put on earth to breed and bleed And put on earth to pay We’re put on earth to put on airs and put on wigs and be And I was put on earth for you and you were put on earth for me We’re put on earth to surf and suffer and suffocate We’re put on earth to love and hurt and put on earth to hate We’re put on earth to conquer space and race about the sea And I was put on earth for you and you were put on earth for me We’re put on earth to entertain We’re put on earth to fight We’re put on earth to quarrel And to test each other’s might We’re put on earth to ask Why we’re put on earth We’re put on earth to balance The surplus with the dearth We’re put on earth to have and we’re put on earth to need And I was put on earth for you and you were put on earth for me And there’s no justice but there’s hope There’s not path just a blind, instinctive grope And I was put on earth for you and you for me That’s all I need to know that’s all there’ll ever be Break 8 bars We’re put on earth to get pissed We’re put on earth to pray We’re put on earth to breed and bleed And put on earth to pay We’re put on earth to put on airs and put on wigs and be And I was put on earth for you and you were put on earth to put on me And there’s no justice but there’s hope There’s no path just a blind, instinctive grope And I was put on earth for you and you for me That’s all I need to know that’s all there’ll ever be And there’s no justice but there’s hope There’s not path just a blind, instinctive grope And there’s no justice but there’s hope There’s not path just a blind, instinctive grope And I was put on earth for you and you for me That’s all I need to know that’s all there’ll ever be.  
8.
You can make like an Eskimo and live in an igloo Walk nude in Chicago when December snows are due Be dressed for Key Largo on the tip of old K2 But you haven’t felt a chill till you’ve done the Surry Hills Boogaloo You can scoff cold cray at a Toorak barbecue Quaff Chardonnay with the gays of Woolloomooloo Have it off in the hay with the gal from Kalamazoo But you haven’t done nothin’ till you’ve done the Surry Hills Boogaloo Boogaloo Boogaloo x 2 You can traverse all London from the depths of the Bakerloo Converse with sponges on the floor of the Arafu You can plunge like futures in a failed Wall Street coup But you haven’t hit rock bottom till you’ve done the Surry Hills Boogaloo Boogaloo Boogaloo x 3 Chew you up and it’ll spit you out It don’t care what you’re about (Surry Hills don’t care) Kiss my arse and lick my shoes you’re Boogalooed You could be the gum on the heel of Neil Armstrong’s shoe You can heel to windward at the helm of Australia 2 And you could wind the watch that timed what Lindbergh flew But you ain’t history till you’ve done the Surry Hills Boogaloo No you ain’t history till you’ve done the Surry Hills Boogaloo Instrumental break 16 bars Chew you up and it’ll spit you out It don’t care what you’re about (Surry Hills don’t care) Kiss my arse and lick my shoes you’re Boogalooed Chew you up and it’ll spit you out It don’t care what you’re about (Surry Hills don’t care) Kiss my arse and lick my shoes you’re Boogalooed When you’re down in Surry Hills And you feel that Surry chill there’s nothing you can do but Boogaloo Boogaloo Boogaloo x 3
9.
HEADING WEST ON SUNSET I tried to sew them back together but I ran out of string. I tried to sew them back together but I ran out of string. What do you want to talk about yesterday for? You know I already told you, I don’t remember that much. Let’s talk about tomorrow, the future man … Okay, okay I’ll tell you the story. Then I get my steak alright? Okay. Okay so yesterday, let’s see … well, the first thing I remember is waking up in my car down Venice around noon, you know the night before I drove up from Tijuana so – Anyway, I cruise on up to Van Nuys. You know why man, don’t act dumb. I wanted to settle it with that fat asshole. Man, he said I came at him with a tyre lever, that’s bullshit man, if I’d have come at him with a tyre lever he wouldn’t have been able to say nothing, getting words would have been like trying to shit glass … What do you mean what happened? Nothing happened. The fat slug was on his break. So I turn around and drove back to the Strip. No man, I don’t know anything about his car, but if somebody stripped it that makes me feel good, the fat fuck probably did what he did to me to some other less tolerant individual. So, um, where was I? Heading west on Sunset, stop off at this bar, it’s the smog, had to get that crap out of my lungs, yesterday was one of those, oh, you know, one of those days when you feel like you’ve swallowed a battle ship. You know one of these days I’m gonna walk through one of them metal detectors and set it off because I got so much lead in my lungs, Beep - `Yo man, you just been in LA?’ You got a gun? Yes as a matter of fact I do, got a semi-automatic. Yes of course I had it yesterday. I wouldn’t go to Tijuana without it, man. So. I’m in this bar, Paul’s Joint, something like that. I had a beer or two, Miller. Dodgers are playing the Padres, man Tony Gwynne can he ever hit? Anyway this English guy Ace, I don’t know what his other name is, he rocks up and slips me some speed. No, I don’t pay him, I ask him what he wants and he says he needs someone to drive him down to South Central to score. No way, man. you think I’m crazy or what? Fuck Ace, no fucking way am I going to South Central, you pick up some gear, that’s what I tell him. So, you know um he’s hanging out for something and I say look I know this guy on Mullholland he’s usually got some good coke. So, we go there, good timing, party’s in full swing, English heavy-met band over for tour, Ace is happy he knows some guy from the road crew or something and there’s this great piece of ass in bikinis slips me some more speed and I hang out there till maybe seven or eight – What? Circumstances of my departure? Hey man, they didn’t through me out man, I chose to leave, Okay? This faggot comes up to me while I’m taking a piss, man, yeah – I’m no queer okay? He tried it once. Once was all he ever tried. I was fifteen. I smacked him so hard in the balls he started to choke. He never tried it again. And my step-sister used to give it to him all the time, she didn’t know how to hurt him, so, or she wasn’t prepared to, so she suffered the consequences, it’s not fair but that’s life. So what I’m saying is you know, don’t ever call me bent, right, okay? I was fucking fifteen. I was out of there by time I was seventeen … step-sister … I dunno I never see her. So they told you they threw me out? I’d like to see ‘em try. Anyway, I left there about eight. And I’m buzzing man, I’d had so much speed. I’m heading west on Sunset. That’s when I saw the chicks, round Doheny some place around there. Three of them, cute. Valley girls on a night out I figure. So, they flag me down and they wanted some action. I know a doorman at the Roxy, he lets us in. Dance a bit, chicks had some tabs, I don’t know what it was. Cause I don’t remember anything except next thing we’re eating tacos out on La Brea. I buy some beers one of the chicks Valerie one with the brown hair, she says `Let’s go somewhere out in the desert.’ I say sure, the chicks, they wanna drive. That’s okay by me. So we drive, I dunno, a few hours, then we pull off the road, drink a few more beers and Rikki that’s the blonde, she’s coming onto me pretty strong and I say. Let’s go for a walk. Valerie’s giggling away and the other one’s singing to the radio. So, me and Rikki walk just a few hundred yards I guess and we started kissing and suddenly she stops. I ask her what’s the matter? She says she wants to go back to the others. I know she didn’t really want to, she just felt she had to say that. I know chicks, right? So I pull her back and go to kiss her. She hits me. First, I go, okay, it’s the drugs she’s on, but then she starts calling me names, cruel stuff, so I picked up a rock and I hit her and I kept hitting her. I hear the music stop in the car and I wait for a while. Half an hour maybe, Rikki hasn’t moved, so I figure that’s it for her, no encore. Yeah of course I was angry, man. Wouldn’t you be? Here’s these chicks, I give them a ride, I let them drive my car, I get them into the Roxy for free, I buy beers, I mean they’re ungrateful, you know? I walk back and the other two ask me where Rikki is, I say she’s weeing, and one of them not Valerie the other one, she starts screaming, maybe the blood on my shirt. They ran. They had too much to drink so I knew they don’t run too good. I remembered the gun. It was still under the seat where I stashed it with a bottle of tequila I bought in Tijuana. I only paid a hundred bucks for that gun but I tell you it’s a beauty. I got a bargain man. It took them apart real quick. What’d I feel? Nothing much. No, I killed jackrabbits. Sort of like that. I was sad it had to happen but you know they asked for it the way they treated me. People shouldn’t do that. Use people. I finished my beer. Fell asleep. When I woke up I was sorry. I had one helluva of headache. I sort of remembered what happened but didn’t want to. I knew I had a big sailcloth needle in my trunk from when I used to sail. And some string. I thought if I could put them back together it might be alright. So, I tried but pretty soon I ran out of string. Well, at least I tried. So how about that steak man? I haven’t eaten since those tacos.

about

Around 1989 I began working on ideas for a new album. Doubtful that any of the big recording companies would be interested in me, I decided to do it myself. Some songs I had written, others like Jack Kerouac's Back were written in conjunction with Greg Macainsh of Skyhooks. Martin Cilia not only produced the album but programmed or played pretty much all the instruments. In my opinion it's a little hidden gem. Lyrically Surry Hills Boogaloo and Kiss and Tell are up there with my best work, and the music is diverse and interesting held together by a dark tone with themes of obsession, betrayal, sex and inhumanity. But there's more than a dash of humour too in Kerouac and Kiss And Tell.

credits

released June 25, 2021

Vocals Dave Warner, Guitars and Programming Martin Cilia, Keyboards (Surry Hills) Joe Leach Other Vox: Howard Shawcross, Anthony Bridge, Nicole Binet, Bill Beare, Mal Green, Steve Brooks, Lex Marinos, Dobe Newton, Foo, Shame McNamara, Andrew Kohlenberg, Evelyn Forsaythe.
All tracks except Kiss And Tell and Big Bad Sexual Drive recorded and mixed Planet Studios Perth and Eclipse Sydney. Kiss and Tell and Big Bad Sexual Drive recorded at Eclipse. Engineer Planet Joe leach, Eclipse Matt Lovell.
Produced by Martin Cilia
Cover photo Lisa Marie Iley
Art Direction Michael Messenger

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Dave Warner Sydney, Australia

Bob Dylan declared Dave Warner his favourite Australian artist. In 1973 Warner formed Pus, Australia’s first punk band.
He travelled to London in 1975 and developed a concept of original Australian music, `suburban rock’. Warner returned to Perth in 1976 and formed Dave Warner’s from the Suburbs an instant success. Warner continues to write and record music and is author of 20 books.
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